Comparing Spiritual Growth in Siddhartha and the Movie (Film), Seven Years in Tibet :: comparison compare contrast essays

Spiritual Growth in Siddhartha and the Movie (Film), Seven Years in Tibet The novel Siddhartha and the film Seven Years in Tibet are both comparable. They have similar plots and can relate to each other in many different ways. There are many characters that almost have identical personalities. In addition, both the novel and the movie are based upon ideas of Buddhism. Throughout both the novel and the movie there are many connections that can be made to show how both of these stories relate. During the movie and the novel there are many similar themes. There are many examples that show compassion for all living creatures. Having respect for all living beings is a belief for Buddhists. In the movie, Heinrich was building a movie theatre for the Dalai Lama. The townspeople were helping them, but while they were digging they noticed earthworms were living there. It would be cruel for them to kill the earthworms; so in order to build the movie theatre they must remove all of the earthworms and put them somewhere else to live. In the novel, Siddhartha always had respect for nature. The river is an object that meant a great deal to him. Siddhartha could never disrespect the river because that is what helped him get further on his journey to enlightenment. In the beginning of the movie, Heinrich leaves his wife pregnant. He doesn't care that he put climbing before his responsibilities of having a family. This shows how cold and egocentric Heinrich was in the beginning of Seven Years in Tibet. Siddhartha also has a period in his life when he is egocentric. While Siddhartha was with the Samanas, all he cared about was his own well-being. The small portions of food he acquired from begging was only to feed himself. Siddhartha never offered anything to anyone else while he was traveling with the Samanas. There are many characters from both the movie and the novel that are alike. Siddhartha and Heinrich are both the main characters in which the story revolves around. They both are on a journey and grow throughout their trip. They learn what life truly means to each of them. Govinda and Peter are also two characters that are similar.

Lab Report: Bramble Leaf Morphology Essay -- essays research papers

B. IMPLEMENTING SUN SITE SHADE SITE Thickness of bramble leaf/ mm 0.31 0.30 0.25 0.26 0.31 0.29 0.27 0.26 0.33 0.32 0.29 0.25 0.35 0.34 0.27 0.27 0.29 0.25 0.29 0.32 0.25 0.33 0.36 0.31 0.37 0.34 0.27 0.36 0.28 0.29 0.22 0.17 0.24 0.19 0.19 0.21 0.22 0.18 0.16 0.22 0.16 0.19 0.22 0.19 0.17 0.19 0.17 0.19 0.20 0.16 0.22 0.21 0.18 0.19 0.15 0.20 0.16 0.21 0.19 0.18 Mean bramble leaf thickness / mm 0.30 0.19 Light Intensity / mV At 10:30 7.81 At 13:00 8.34 At 15:30 7.65 At 10:30 3.89 At 13:00 4.02 At 15:30 3.76 Mean light intensity/mV 7.93 3.89 Aspect of Site South East South East Results In order to investigate the effect of light intensity on bramble leaf morphology, it was decided that thickness would be the particular morphological feature that was going to be investigated. It was felt that the best possible use was made of the equipment and sites available in order to attain reliable data under the time constraints involved. The sample size for this investigation was set at 30 – this allowed a reasonably large sample and thus reasonably confident conclusions and tests are possible for the Analysis and Evaluation sections. However, a sample size of 30 is still small enough in order to feasibly collect data within the allocated time period. The two sites chosen were suitable in order for valid data to be collected and compared. The two sites were comprehensively distinct sun and shade sites. As can be seen on the photograph, the sun site had virtually no major branches or trees in its vicinity and thus a lot of light was able to shine on the leaves. In contrast, the shade site was surrounded and shadowed ... ...ns, it has to be stated that the validity of the results have been undermined and the conclusion is certainly stated with less confidence. The accumulation of so many sources of error seems to suggest that the conclusion may even be an altogether incorrect one due to unreliable collection of data. However, the sources of error do not change the conclusion itself. Pieces of evidence such as the significant differences in means, use of standard deviation and the comprehensiveness of the t-test suggest that the conclusion is still a valid one. Although the data is not completely normally distributed, the 99.999% confidence at which the t-test accepts the hypothesis is considerable. Certainly, these limitations suggest that that percentage is unlikely to be that high, but given the nature of the investigation and results ascertained, the conclusion is still a valid one.

Essay --

Margaret Preston was born on the 29 of April 1875 in Adelaide, South Australia. Margaret was the first of David and Prunice McPherson’s daughters; she took the name Preston later by marriage. Margaret loved creating art from a young age and that just turned out to be what her career was after she had practised for years and years. Whilst young Margaret’s artistic abilities were already noticed and her early formal art education was at the National Gallery School in Melbourne and the Adelaide school of Design, painting and Technical arts. Margaret travelled to Munich in 1904, where she attended the Government Art School for Women. From Germany she moved to Paris to study at the Musee Guimeta. In 1907, she returned to Adelaide for a short amount of time and then went back to Europe. Her father died in 1894 so by her teaching it helped bring in some income as her father brought in most of their money. After World War I, Margaret married a businessman with the name William George Preston and they settled down in Sydney. The marriage gave her some financial stability and travelling overseas became an important part of the Prestons' lives. Since now that Margaret was settled and without children, she was able to put her art first. In October 2003, Cotton died age 92. The Olive Cotton award which is given out annually is dedicated in memory of her role as one of Australia's leading twentieth century photographers. Margaret Preston practiced engraving on Huon pine, but then started to practise on the rough side of Masonite. Also it says that Preston really practised her art and went to many schools and placed to be taught about art and to get more experience. The things that inspired Margaret Preston are artistic and cultural influences ... ...ve with what is in her photos and the light and dark effect and shadow. The ways you can tell that these sites are reliable is the fact that they are produced by the Australian Government. Another reason I know I can trust this site is because it is not covered in advertisements an there are no pop ups. Also it is not trying to sell you anything which means there are no scams involved. By the writer listing the references it shows that the writer has done their homework on that person, and the sites are on that person only or are on artists in that time. Sites like Wikipedia where anyone can change what has been written is not reliable as it can be altered by a random person who has no knowledge on that topic. The Australian Government is going to write the facts as people from many countries including Australia go to these sites and use these sites as fact sheets. Essay -- Margaret Preston was born on the 29 of April 1875 in Adelaide, South Australia. Margaret was the first of David and Prunice McPherson’s daughters; she took the name Preston later by marriage. Margaret loved creating art from a young age and that just turned out to be what her career was after she had practised for years and years. Whilst young Margaret’s artistic abilities were already noticed and her early formal art education was at the National Gallery School in Melbourne and the Adelaide school of Design, painting and Technical arts. Margaret travelled to Munich in 1904, where she attended the Government Art School for Women. From Germany she moved to Paris to study at the Musee Guimeta. In 1907, she returned to Adelaide for a short amount of time and then went back to Europe. Her father died in 1894 so by her teaching it helped bring in some income as her father brought in most of their money. After World War I, Margaret married a businessman with the name William George Preston and they settled down in Sydney. The marriage gave her some financial stability and travelling overseas became an important part of the Prestons' lives. Since now that Margaret was settled and without children, she was able to put her art first. In October 2003, Cotton died age 92. The Olive Cotton award which is given out annually is dedicated in memory of her role as one of Australia's leading twentieth century photographers. Margaret Preston practiced engraving on Huon pine, but then started to practise on the rough side of Masonite. Also it says that Preston really practised her art and went to many schools and placed to be taught about art and to get more experience. The things that inspired Margaret Preston are artistic and cultural influences ... ...ve with what is in her photos and the light and dark effect and shadow. The ways you can tell that these sites are reliable is the fact that they are produced by the Australian Government. Another reason I know I can trust this site is because it is not covered in advertisements an there are no pop ups. Also it is not trying to sell you anything which means there are no scams involved. By the writer listing the references it shows that the writer has done their homework on that person, and the sites are on that person only or are on artists in that time. Sites like Wikipedia where anyone can change what has been written is not reliable as it can be altered by a random person who has no knowledge on that topic. The Australian Government is going to write the facts as people from many countries including Australia go to these sites and use these sites as fact sheets.

Plato, Descartes, and The Matrix Essay

The Matrix movie had many similarities with the readings from Plato and Descartes. All three discussed the scenario in which reality was discovered to be a non-reality. Specifically, in The Matrix, reality that was experienced by multitudes of people is actually a computer simulation called â€Å"The Matrix†. This is actually a deviation from the Plato and Descartes readings in that computers were not mentioned or available at the time of those writings. Plato (380 BC) speaks of people having their â€Å"legs and necks fettered from childhood†, while a source of the restraint is not specifically mentioned, it is most certainly a physical restraint as opposed to the material, computer generated reality as described in The Matrix movie. Descartes was the only one of the three situations that contemplated God in the various reality verses truth contemplations. Plato speaks to the initial shock of discovering that known reality is actually a lie and goes on to speak of the resulting repercussions of this discovery. The denial of the true reality is so tangible that the people in the described scenario would rather believe that the lie was real than to believe and accept what they were actually experiencing. In The Matrix movie (1999) Morpheus asks â€Å"Have you ever had a dream, Neo, that you were so sure was real?† Similarly, Descartes (1641) also contemplates how often he dreamt that he was in familiar circumstances, dressed and by a fire, only to realize that he was undressed and lying in bed. Plato, Descartes, and The Matrix are all similar in that they consider people living in a world that they discover is not real and that they exist in perceived delusions that produce resulting anti-realities. The Matrix movie is parallel to the Descartes reading in that they both examine our senses as sources of realities. Descartes contemplates how our senses occasionally mislead us  whereas The Matrix describes a continual sensual overhaul which is controlling our mind and ultimate realities while our bodies lay dormant. In The Matrix movie Neo never expresses happiness over his liberation from the computer program but he does feel the need to liberate those still living under the control of the computer program. In contrast, the Plato reading describes and expresses a feeling of joy that would be experienced after emerging from the controlled reality. Can we prove the world we are experiencing is real? In order to contemplate how we know that our current state of being is real we must first decide what â€Å"real† is to us. What is reality? In my opinion, reality is what we see, hear, smell, feel and taste in the present. Reality is what is occurring to us right now, this very second. Is what is happening to us, the world we are experiencing, real and can we prove that it is real? How do we know we are not dreaming? It has been my experience that dreams do not produce anything but thoughts and visions. I do not feel, taste or smell while dreaming. Therefore I can prove that the world I am currently experiencing, while I type this essay, is real because I can feel the keyboard that I am typing on and I can taste and smell the coffee that I am drinking. Which is better: the harshness of reality or the â€Å"ignorance is bliss† of illusion? In my opinion, the harshness of reality is a far better state than the â€Å"ignorance is bliss† illusion. I believe this to be true because I believe that true depth of character cannot be achieved without experiencing the full harshness of reality. How can our intellects and philosophies be explored without experiencing the full range of life events? If you lived your life in ignorance then the world you experienced would skew the thoughts you pondered while excluding the full range of contemplations, restricting them to a bliss-filled reality. With intelligence comes a plethora of knowledge, both good and bad. Conclusion In conclusion, through the viewing of The Matrix and the reading of both Plato and Descartes, we can see that all three bring to mind many philosophical questions related to actual and perceived reality. Obviously, it is very fascinating to imagine a world where alternative and controlled  realities are possible and even very real. The truth is sometimes stranger than fiction and, in my opinion, The Matrix and the thoughts contemplated by Plato and Descartes are just stories that will never be reality. I believe that my Christian worldview is such that would prevent me from ever believing any different. While all of the situations explored were interesting, they will remain, in my mind, fantasies. References Plato. (380 BC). â€Å"The Allegory of the Cave.† In The Republic (Book VII, 514A1 – 518D8). Descartes, R. (1641). Meditation I of The Things of Which We May Doubt. In Meditations on First Philosophy. Wachowski, Andy, and Lana Wachowski. The Matrix. Directed by Andy Wachowski and Lana Wachowski. Los Angeles: Warner Bros. Pictures, 1999.

An investigation into the theory of resistance Essay

My results support this as the graph of length against resistance shows that relationship is directly proportional. As the points on the graph are very close to the line of best fit, this supports my prediction. Also as I repeated my experiment 3 times and obtained very similar results, it shows that this experiment is repeatable and reliable. So, I conclude that as the length of wire increases, so does the resistance. I have realised also that double the length means double the atoms, which doubles the collisions and in turn, as explained in my prediction, doubles the resistance. This leads me also to believe that resistance would be less in smaller wires, this is due to higher current and increased heat. During the investigation three major changes were brought to my attention, these changes were: -> As I increased the length of wire, a. ) The potential difference increased b. ) The flowing current decreased c. ) The resistance in the wire also increased. I also found that when doubling the length of wire the resistance will more or less double also. E. g. when the length was 50cm the resistance was 4. 00Ohm, and when the length was 100cm theresi e was 8. 00Ohm. Evaluation The experiment I carried out was completed by means of very basic school laboratory equipment. Although reliable and trustworthy evidence was collected, proved by the similar 3 times repeated results and matching line of best fit to my prediction, I believe my results could have been far more accurate with a greater time span and some far more enhanced technical equipment, such as a digital multimeter. Although during my experiment there were no major anomalies there were a few variations within my repeats of the experiment. These minor variations truthfully had no major effect on the overall experiment due to the diminutive extremity of them. Nevertheless these small variations may have many similar reasons for appearance of which that the major anomaly would have on occurrence. These reasons could consist of such things as: – Loose connectivity and/or faulty equipment – Human error (inaccurate readings and/or checks) – Temperature (collision speed alterations) To improve the accuracy of my experiment It would have been helpful if: – The wire was in a temperature controlled environment, this is because resistance is affected by temperature. – The voltmeter and ammeter were difficult to take a reading off, this is due to the unsettling of the actual readings, they flicker and change several times before stopping on a final reading. If you move slightly however, the results will flicker again and become distorted. To prevent this, a better quality analogue meter with a built in mirror to prevent parallax could be used to my advantage. – Also, if I had more time I could have extended my experiment and repeated it with shorter intervals of wire. I could have taken readings every 5cm instead of every 10cm, this way I could gather more information and add a set of supplementary details to my results. If I changed all of the above, in theory I should come across far superior accuracy in my readings. If this theory is correct my results graphs should show a stronger correlation. If I were to present extra evidence I could make the following changes for further experiment. – Increase length of wire – Increase the thickness of the wire, – Change the material of the wire. If the above three changes were investigated for further experiment, I would hope that they would only validate my predictions and basically back up my evidence. Â  

Act 3, Scene 4 provides a great opportunity for visual spectical Essay

QUESTION. Act 3, Scene 4 provides a great opportunity for visual spectical. Discuss how â€Å"The Banquet Scene† has been realised on screen and consider the effectiveness of its portrayal. ANSWER. Shakespeare was born in 1564 when Elizabeth the First was Queen of England. Shakespeare did not go to university when he left school; instead, he worked. He married Anne Hathway when he was eighteen and she became the mother of his daughter, Susanna, and also of twins. Although there are many public documents concerned with his career as a writer and a businessman, Shakespeare has hidden his personal life from us. A nineteenth century poet, Matthew Arnold, addressed Shakespeare in a poem and wrote: â€Å"We ask and ask – Thou smilest, and art still†. There is not even a portrait of the world’s greatest Dramatist. I am going to look at the banquet scene, in my opinion, one of the most important scenes in â€Å"Macbeth†; it shows many sides to both Macbeth and Lady Macbeth. The scene opens with the couple welcoming all the guests to their Banquet, the atmosphere is warm and jolly, and everyone is joking and enjoying themselves. The atmosphere becomes more sombre when one of Banquo’s murderers arrives with news for Macbeth. Although Banquo is â€Å"safe†, Fleance on the other hand has † ‘scap’d â€Å". Macbeth tries to â€Å"Act like the innocent flower, but be the serpent under’t† in front of his guests, but this does not last for long, the guilt gets the better of Macbeth and causes him to hallucinate. The Lords were all very confused, and so, Lady Macbeth tries to cover-up for her husband by telling them all that Macbeth suffers from an illness, which causes him to behave in such a manner. â€Å"Sit, worthy friends – My Lord is often thus, and hath been from his youth†. She continues by saying â€Å"The fit is momentary – upon a thought he will be well again†. The two productions I am going to look at are Roman Polanski’s 1971 Production along with Gregory Doran RSC production. In Gregory Doran’s production, Macbeth’s house resembles a prison. The front foyer is very bare, with lots of different entrances: this is trying to show us that Macbeth is imprisoned in his world of guilt. Macbeth is dressed as a soldier, which gives me the impression he is at war, maybe Doran is trying to put across the fact that Macbeth is trying to fight against all of the evil. Roman Polanski dressed Macbeth in beautiful robes; Macbeth is also wearing his crown. This makes me think Macbeth is in total control of everything. Both producers hold the Banquet in a large, dull, cold room, this symbolises the fact that Macbeth has nowhere to hide; it also creates a tense atmosphere. In Polanski’s production, Macbeth sees Banquo and he goes mad! â€Å"Avaunt! And quit my sight! Let the earth hide thee!† He continues to rant and rave at this ghost of Banquo, whom only Macbeth can see. He frightens and startles not only the lords, but also Lady Macbeth. We know this by the look of worry on her face. She then pulls her husband aside to try and help him see sense. He sees what she is trying to say and returns to normality, but this only lasts for a matter of moments, and then Macbeth resumes to his fit of madness again. Macbeth is gradually loosing control. While Macbeth moves back, Banquo continues to advance. As both men keep moving, the camera becomes Banquo. We see high angle shot of Macbeth; it seems as though Banquo is looking down upon Macbeth and that he is now the one in control. Lady Macbeth tries to make excuses for her husband’s behaviour by saying â€Å"Sit worthy friends: My lord is often thus, and hath been from his youth: pray you, keep seat: the fit is momentary: upon a thought he will be well again†. We then see a long shot of the lords at the table; they all look very puzzled and confused. By this time, Macbeth is in a corner, on the ground with Banquo towering over him, he moves in closer and closer, then Banquo is cut, and Macbeth is left sitting on the ground, a trembling wreck. Gregory Doran’s RSC Production is very similar to Polanski’s. He also shows Macbeth being overpowered by Banquo. When Lady Macbeth pulls Macbeth aside to try and snap him out of his â€Å"fit†, he is unable to look her in the eye, he keeps watching the ghost of Banquo. He realises what his wife is trying to say, and so he returns to his normal self again. The way that Macbeth is changing personalities so suddenly in this scene reminds me of a schizophrenic, it’s almost as though he has some kind of mental disorder. Macbeth tries to laugh it off and composes himself. However, this only lasts for a moment. When Macbeth sees Banquo again, he drops his chalice, and the white wine spills onto the floor. This is an interesting observation because all the other products I watched used red wine, a sign of evil and danger, but white reminds me of innocence. Maybe Gregory Doran feels that Macbeth was innocent and this is why he uses white wine rather than red. He may feel it was the witches, or maybe Lady Macbeth’s influence that encouraged him to do all those evil things. Personally, I feel it was Lady Macbeth that caused him to go through with Duncan’s murder, but yet again, how many could be talked into murder without desiring it themselves?

Cookie Cutter Shark Facts

Cookie cutter shark ————————————————- Features: The Cookiecutter Shark combines many specialized features that enable it to carve out a living in the deep-sea. Like many mesopelagic sharks, it has an elongated body cavity filled with an enormous liver comprising as much as 35% of its total weight. The Cookiecutter’s liver is perfused with low-density oils which render the shark nearly neutrally buoyant over a wide range of depths and thereby saves energy by freeing it from the need to swim constantly to avoid sinking.It has very large eyes — the better with which to see potential prey — and a short, broad caudal fin that is ideal for rapid bursts of acceleration over short distances — that is, ambushing prey from close range. ———————————————â €”- Hunting abilities: To lure prey within range, the Cookiecutter Shark relies on its brilliant luminescence. Complex light-producing organs called â€Å"photophores† are scattered over the Cookiecutter’s entire body and are especially richly distributed on its belly and lower surfaces.A main function of this pattern of bioluminescent organs is to eliminate an animal’s shadow as seen from below, a common mesopelagic anti-predatory strategy known as â€Å"counter-illumination†. But there is a very curious fact about the distribution of photophores on the Cookiecutter Shark’s undersurfaces: they are completely absent from the region under the throat between the gill slits. It has recently been proposed that this dark patch that is bordered by luminescent organs may mimic the search image of many upward-looking pelagic predators.Thus, when a would-be predator approaches what appear to be a small shadow of a potential prey animal, it is brought wi thin the striking range of the insidious Cookiecutter Shark and the predator has become prey. ————————————————- Humans who, by accident or by design, enter the open sea are not immune from attacks by Cookiecutter Sharks. The body of a drowned fisherman recovered ff the coast of Oahu, Hawaii, in July 1992 had two Cookiecutter bites to the lower back. These bites are believed to have been inflicted post mortem, but there are a few documented reports of people — including shipwreck survivors and, in one case, an underwater photographer — being attacked in the tropical open ocean by schools of blunt-snouted and extremely ferocious foot-long (30-centimetre long) â€Å"fish† that neatly sliced out circular plugs of flesh about an inch (2. centimetres) in diameter. The fish responsible may well have been Cookiecutters. This frightening possibility certainly p uts the romantic notion of a moonlight swim in a whole new light. ————————————————- ———————————————————————————————————————–]